International rights are available for the project that features Armageddon Time and Master of None producers.
Ansari writes, directs, and stars in the film, which is currently in production, alongside Rogen and Reeves. The film, based on Jared Rosenberg’s 2020 Blacklist script, will see Wahlberg play a pilot transporting a dangerous criminal for trial.īUZZ While comedies can be a hard sell, this one stars global box office pull Reeves. SALES HanWay Films, UTA Independent Film Group, CAA Media Finance Flight RiskīUZZ Gibson’s return to the director’s chair, seven years after the global success of Hacksaw Ridge, is sure to get buyers excited. SALES Rocket Science, CAA Media Finance DreamquilīUZZ An extremely-timely near-future thriller that taps into current anxiety over A.I., this high-concept pitch sees Banks and Reilly as the husband-and-wife Carol and Gary, who find their lives disrupted when Gary chooses a robotic version of Carol over the original. But hitting the clubs, they realize they are not equipped to be young in the modern world.īUZZ An action comedy in the vein of Miss Congeniality and The Heat, this project sees Con-Air director West teaming up with Pitch Perfect and The Hustle star Wilson, who will play a badass secret agent tasked with her toughest mission yet: Being the Maid of Honor for her childhood best friend.īUZZ The sequel to the action thriller that saw Stallone star as a former mountain rescuer who has to face off against a violent gang in the Rockies will be directed by Waugh, a veteran of the Gerard Butler actioner camp. STARS Diane Keaton, Patricia Hodge, Lulu, Boy GeorgeīUZZ The fountain of youth concept gets a Brit comedy spin with this presale feature in which three women (Keaton, Hodge and Scottish singer-actress Lulu) drink a de-aging elixir. Here is THR‘s look at hot titles going to Cannes.
#Lana pitchperfect movie
While many of the projects heading to the Cannes Film Market this year, including a Guy Ritchie action movie starring Henry Cavill and a Sebastián Lelio romantic drama with Andrew Garfield and Daisy Edgar-Jones, seem to scream “theatrical release,” international buyers remain wary of taking a risk on anything that doesn’t tick every box: cast, director, genre and budget level. 'Lost in the Night' Review: Amat Escalante's Class-Inequality Mystery Has Potent Elements Without Much Genre Heatīut what actually still constitutes a theatrical film is an unsettled debate among international buyers.
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